Monday, February 14, 2011

More from AWP: the poems of Morton Marcus

I thought I should share with you--to review, in a away--these excerpts from poems by Morton Marcus. Marcus died last year, and in his honor there was a memorial panel for the man and his work. I was not familiar with Marcus's work until this session. I was glad I went. White Pine Press was there (a good press recognizing good work), along with other poets (Gary Young for one), and Brian Clements was there representing the journal Sentence. Marcus's wife and other friends were also in attendance.

Before I begin, I must say that I found Marcus's work rich and deep in a transcendent way. For as easy as it is to enter (and be in) his poems, leaving the poem behind is not easy. His poems acquire that resonant frequency that hums in my mind after I have finished reading. And this also happened for me while listening to his poems--as it should. Many poets spoke to Marcus's ability to mentor and respect them as they grew into poetry. Clements had the funniest story. He explained how, as an editor, he had at first rejected a submission of Marcus's work. Marcus resubmitted a few weeks later with a note, that, according to Clements read, "That's ok. You'll come around." Many attested to his warmth and generosity, and I've found that in his work.

Here's a bit from Marcus's last book--something he worked on during the last years of his life. Not a collection of previously published work, the book is, as several on the panel attested, his best work. Here is an excerpt from the title poem to The Dark Figure in the Doorway. Marcus has focused on a single figure in the background of Diego Velazquez's painting Las Meninas.

...
the Spanish Golden Age
will sink into oblivion.
But like the figure
in the doorway,
we hesitate today,
caught between yesterday
and tomorrow, aware
as never before
that we stand with one foot
in the painting
and one foot out,
sure only of this moment
when we look into the room
where the king and queen
pose for the painter
who stands with his back
toward us,

Here we have a poem that, at first glance might be making some amateur moves--using a universal we, writing about a painting, centering a poem in the middle of a page--but it actually needs these moves help an audience think about what is comfortable and familiar--and to perhaps wake them from that trance. Marcus aids the audience in meditating on the dichotomies that we prescribe to our lives. Throughout the poem, in lines beyond the scope of this post, the reader is asked to examine near/far, public/private, powerful/weak, alive/dead, artist/non, our perspective/the other, doing/being, and on and on. A person in a doorway. Leaving? Entering? Being? All of those possibilities and their implications unfold in Marcus's poem. Spiritual? Yes. Boring? No.

Ok, here's one for Valentine's Day. Excerpts from "3 Poems that Make You Beautiful"

1.
Something--your hands
rummaging for dishes beneath the foam
while the white enameled stove
outlines the slope of your butt
...
That moment, that something,
when you raise your arms
and lift, shiny from the foam,
the dazzling edge of a plate.

2.
There is a loveliness
that goes as it comes:
water shadows, for one,
or your smile, darling,
...

3.
All over the apartment,
...
the looping pencil-lines of hair:
on desk, bathtub, dresser drawer--
...
so that your presence
would be with me
when I bathed, ate,
or wrote a poem.

If you're interested in more of Morton Marcus's work, go to White Pine Press.



Tuesday, February 8, 2011

The best-laid schemes...

Yes, astute reader, you may have noticed that I did not have those daily updates. The conference was more helpful and productive than I imagined--time to blog about it vanished. More on that soon. For now, dear readers, I will say this:

One can never have too large of a gathering of literary journals and small presses. Really. It just seems to get bigger ever year, and somehow they all still fit. It's like the Tardis.

and

Favorite Panel: The Essayist in the 21st Century. I felt this was incredibly relevant coming on the heels of Lapham's recent retirement of the Notebook section--and the final essay that occupied that last spot. Organizer: Randon Noble. If you get a chance to hear her/read her, do it.



Tuesday, February 1, 2011

I'm Off to AWP's Conference in Washington Tomorrow


These east coast meetings are a blast. New York in 2008 was insanely fun. I picked up Tracy K. Smith's second book, listened to Jan Beatty, heard an incredible panel on the writings of military service personnel, was enthralled by a panel on the writings of Mexican-Americans, and on and on. The book fair featured plenty of small presses from around the country, but there was a huge turn-out from innovative and creative presses around New York (especially in Brooklyn). All that, and I got a chance to see many of my friends from the writing programs at Carnegie Mellon and Pitt.

This year the schedule is packed with exciting presentations and panels--I still haven't decided what I will be attending. That said, I will spend some time at book fair. There are several small presses here in Philly that I haven't had the chance to talk to, and there are several journals that might like my work (I like their work, so we'll see, won't we?). I'll be updating the blog at least once a day with my notes from throughout the day.

If you're there, please stop by the Painted Bride Quarterly event on Thursday night. I'll be promoting other small presses tomorrow.

Stay tuned.